Author: Sarah Penner
Publication Information: Legends Press. 2021. 320 pages.
ISBN: 978-1789558975
Book Source: I received this book through NetGalley and the Winter 2021 historical fiction blog tour from Harlequin Trade Publishing free of cost in exchange for an honest review.
Opening Sentence: "She would come at daybreak - the woman whose letter I held in my hands, the woman whose name I did not yet know."
Favorite Quote: "To me, the allure of history lay in the minutiae of life long ago, the untold secrets of ordinary people."
***** BLOG TOUR *****
Review
Nella Clavinger is a healer, a apothecary in the 1700s in London. She learned her skills from her mother and whose focus was to serve women with her knowledge and skills. "My mother had held tight to this principle, instilling in me from an early age the importance of providing a safe haven - a place of healing - females." A betrayal early in her life leads to Nella helping women but in ways her mother never dreamed. She offers solutions to help women escape or deal with men who have harmed them. Nella becomes a purveyor of poison. "First, there was trust. Then, there was betrayal. You cannot have one without the other. You cannot be betrayed by someone you do not trust ... what you have learned is the same heart-wrenching journey of every woman to whom I have sold a poison. And it is, indeed, the same path for me." However, as she learns, "Healing by way of vengeance ... no such thing existed; it never had. Hurting others had only injured me further."
Eliza Fanning is a child twelve years old. She comes to Nella on a mission from her mistress. She returns out of fear and a lack of understanding of what is happening to her own body as she grows up. She finds comfort in Nella, and Nella finds the dream of the child she never bore
An innocent mistake has life altering effects for both of them.
Two centuries later, Caroline comes to London. The trip was to be a tenth anniversary celebration. Instead, Caroline is alone, still reeling from her husband's betrayal. "Intermingled in the mess was another, subtler secret ... we were happy, yet unfulfilled. It was possible, I understood now, to be both at the same time." In many ways, Caroline comes in search of herself and all the parts of her she let go for marriage and family. "... not everything in my life was how I imagined it would be, and that I hadn't lived up to my own potential. And worst of all, I'd been too scared to even try."
The book goes back and forth between the perspective of these two time periods and these three characters - I might say women, but Eliza is really a child in a grown-up world. Caroline once dreamed of being a historian. That dream is rekindled as she looks for an escape from her sorrow and stumbles across an artifact that brings her to Nella and Eliza's stories. Her discovery of both the artifact and the history is conveniently easy in the book, but that becomes a minor point in the rest of the story that engages me to the very last page.
I love the three characters and the challenges they face as so many other women in this world have. To some extent, the three characters could be the same woman at different point in her life. Eliza is the young girl still learning about herself, the world, and her path in it. Caroline is the woman who has put her own dreams on hold for those she loves and now looks to rediscover the woman she was meant to be. Nella is nearing the end of her life with regrets for the choices made and the understanding that perhaps she would do it all all over again. To me, the characters represent the stages of a woman's life and leave a lot to think about.
What also really makes this book stand out is the fact that the stories in both time periods go in a direction I completely do not expect. The parallels between the two time period draw closer than I expect between historian and history. One ending also is not definitive as to the exact conclusion, making me wonder if a sequel might be planned to this wonderful debut novel. I would read along if there was.
About the Author
Sarah Penner is the debut author of The Lost Apothecary, to be translated in eleven languages worldwide. She works full-time in finance and is a member of the Historical Novel Society and the Women's Fiction Writers Association. She and her husband live in St. Petersburg, Florida, with their miniature dachshund, Zoe.About the Book
In this addictive and spectacularly imagined debut, a female apothecary secretly dispenses poisons to liberate women from the men who have wronged them—setting three lives across centuries on a dangerous collision course. Pitched as Kate Morton meets The Miniaturist, The Lost Apothecary is a bold work of historical fiction with a rebellious twist that heralds the coming of an explosive new talent.A forgotten history. A secret network of women. A legacy of poison and revenge. Welcome to The Lost Apothecary…
Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary’s fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries.
Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary’s in a stunning twist of fate—and not everyone will survive.
With crackling suspense, unforgettable characters and searing insight, The Lost Apothecary is a subversive and intoxicating debut novel of secrets, vengeance and the remarkable ways women can save each other despite the barrier of time.
Book Excerpt
Excerpted from The Lost Apothecary by Sarah Penner, Copyright © 2021 by Sarah Penner. Published by Park Row Books.
Nella
February 3, 1791
She would come at daybreak—the woman whose letter I held in my hands, the woman whose name I did not yet know.
I knew neither her age nor where she lived. I did not know her rank in society nor the dark things of which she dreamed when night fell. She could be a victim or a transgressor. A new wife or a vengeful widow. A nursemaid or a courtesan.
But despite all that I did not know, I understood this: the woman knew exactly who she wanted dead.
I lifted the blush-colored paper, illuminated by the dying f lame of a single rush wick candle. I ran my fingers over the ink of her words, imagining what despair brought the woman to seek out someone like me. Not just an apothecary, but a murderer. A master of disguise.
Her request was simple and straightforward. For my mistress’s husband, with his breakfast. Daybreak, 4 Feb. At once, I drew to mind a middle-aged housemaid, called to do the bidding of her mistress. And with an instinct perfected over the last two decades, I knew immediately the remedy most suited to this request: a chicken egg laced with nux vomica.
The preparation would take mere minutes; the poison was within reach. But for a reason yet unknown to me, something about the letter left me unsettled. It was not the subtle, woodsy odor of the parchment or the way the lower left corner curled forward slightly, as though once damp with tears. Instead, the disquiet brewed inside of me. An intuitive understanding that something must be avoided.
But what unwritten warning could reside on a single sheet of parchment, shrouded beneath pen strokes? None at all, I assured myself; this letter was no omen. My troubling thoughts were merely the result of my fatigue—the hour was late—and the persistent discomfort in my joints.
I drew my attention to my calfskin register on the table in front of me. My precious register was a record of life and death; an inventory of the many women who sought potions from here, the darkest of apothecary shops.
In the front pages of my register, the ink was soft, written with a lighter hand, void of grief and resistance. These faded, worn entries belonged to my mother. This apothecary shop for women’s maladies, situated at 3 Back Alley, was hers long before it was mine.
On occasion I read her entries—23 Mar 1767, Mrs. R. Ranford, Yarrow Milfoil 15 dr. 3x—and the words evoked memories of her: the way her hair fell against the back of her neck as she ground the yarrow stem with the pestle, or the taut, papery skin of her hand as she plucked seeds from the flower’s head. But my mother had not disguised her shop behind a false wall, and she had not slipped her remedies into vessels of dark red wine. She’d had no need to hide. The tinctures she dispensed were meant only for good: soothing the raw, tender parts of a new mother, or bringing menses upon a barren wife. Thus, she filled her register pages with the most benign of herbal remedies. They would raise no suspicion.
On my register pages, I wrote things such as nettle and hyssop and amaranth, yes, but also remedies more sinister: nightshade and hellebore and arsenic. Beneath the ink strokes of my register hid betrayal, anguish…and dark secrets.
Secrets about the vigorous young man who suffered an ailing heart on the eve of his wedding, or how it came to pass that a healthy new father fell victim to a sudden fever. My register laid it all bare: these were not weak hearts and fevers at all, but thorn apple juice and nightshade slipped into wines and pies by cunning women whose names now stained my register.
Oh, but if only the register told my own secret, the truth about how this all began. For I had documented every victim in these pages, all but one: Frederick. The sharp, black lines of his name defaced only my sullen heart, my scarred womb.
I gently closed the register, for I had no use of it tonight, and returned my attention to the letter. What worried me so? The edge of the parchment continued to catch my eye, as though something crawled beneath it. And the longer I remained at my table, the more my belly ached and my fingers trembled. In the distance, beyond the walls of the shop, the bells on a carriage sounded frighteningly similar to the chains on a constable’s belt. But I assured myself that the bailiffs would not come tonight, just as they had not come for the last two decades. My shop, like my poisons, was too cleverly disguised. No man would find this place; it was buried deep behind a cupboard wall at the base of a twisted alleyway in the darkest depths of London.
I drew my eyes to the soot-stained wall that I had not the heart, nor the strength, to scrub clean. An empty bottle on a shelf caught my reflection. My eyes, once bright green like my mother’s, now held little life within them. My cheeks, too, once flushed with vitality, were sallow and sunken. I had the appearance of a ghost, much older than my forty-one years of age.
Tenderly, I began to rub the round bone in my left wrist, swollen with heat like a stone left in the fire and forgotten. The discomfort in my joints had crawled through my body for years; it had grown so severe, I lived not a waking hour without pain. Every poison I dispensed brought a new wave of it upon me; some evenings, my fingers were so distended and stiff, I felt sure the skin would split open and expose what lay underneath.
Killing and secret-keeping had done this to me. It had begun to rot me from the inside out, and something inside meant to tear me open.
At once, the air grew stagnant, and smoke began to curl into the low stone ceiling of my hidden room. The candle was nearly spent, and soon the laudanum drops would wrap me in their heavy warmth. Night had long ago fallen, and she would arrive in just a few hours: the woman whose name I would add to my register and whose mystery I would begin to unravel, no matter the unease it brewed inside of me.
Facebook: @SarahPennerAuthor
Instagram: @sarah_penner_author
Twitter: @sl_penner
IndieBound
Amazon
Barnes & Noble
Audible
Apple Books
Kobo
Google Play
Books-A-Million
Target
Libro.fm
Nella
February 3, 1791
She would come at daybreak—the woman whose letter I held in my hands, the woman whose name I did not yet know.
I knew neither her age nor where she lived. I did not know her rank in society nor the dark things of which she dreamed when night fell. She could be a victim or a transgressor. A new wife or a vengeful widow. A nursemaid or a courtesan.
But despite all that I did not know, I understood this: the woman knew exactly who she wanted dead.
I lifted the blush-colored paper, illuminated by the dying f lame of a single rush wick candle. I ran my fingers over the ink of her words, imagining what despair brought the woman to seek out someone like me. Not just an apothecary, but a murderer. A master of disguise.
Her request was simple and straightforward. For my mistress’s husband, with his breakfast. Daybreak, 4 Feb. At once, I drew to mind a middle-aged housemaid, called to do the bidding of her mistress. And with an instinct perfected over the last two decades, I knew immediately the remedy most suited to this request: a chicken egg laced with nux vomica.
The preparation would take mere minutes; the poison was within reach. But for a reason yet unknown to me, something about the letter left me unsettled. It was not the subtle, woodsy odor of the parchment or the way the lower left corner curled forward slightly, as though once damp with tears. Instead, the disquiet brewed inside of me. An intuitive understanding that something must be avoided.
But what unwritten warning could reside on a single sheet of parchment, shrouded beneath pen strokes? None at all, I assured myself; this letter was no omen. My troubling thoughts were merely the result of my fatigue—the hour was late—and the persistent discomfort in my joints.
I drew my attention to my calfskin register on the table in front of me. My precious register was a record of life and death; an inventory of the many women who sought potions from here, the darkest of apothecary shops.
In the front pages of my register, the ink was soft, written with a lighter hand, void of grief and resistance. These faded, worn entries belonged to my mother. This apothecary shop for women’s maladies, situated at 3 Back Alley, was hers long before it was mine.
On occasion I read her entries—23 Mar 1767, Mrs. R. Ranford, Yarrow Milfoil 15 dr. 3x—and the words evoked memories of her: the way her hair fell against the back of her neck as she ground the yarrow stem with the pestle, or the taut, papery skin of her hand as she plucked seeds from the flower’s head. But my mother had not disguised her shop behind a false wall, and she had not slipped her remedies into vessels of dark red wine. She’d had no need to hide. The tinctures she dispensed were meant only for good: soothing the raw, tender parts of a new mother, or bringing menses upon a barren wife. Thus, she filled her register pages with the most benign of herbal remedies. They would raise no suspicion.
On my register pages, I wrote things such as nettle and hyssop and amaranth, yes, but also remedies more sinister: nightshade and hellebore and arsenic. Beneath the ink strokes of my register hid betrayal, anguish…and dark secrets.
Secrets about the vigorous young man who suffered an ailing heart on the eve of his wedding, or how it came to pass that a healthy new father fell victim to a sudden fever. My register laid it all bare: these were not weak hearts and fevers at all, but thorn apple juice and nightshade slipped into wines and pies by cunning women whose names now stained my register.
Oh, but if only the register told my own secret, the truth about how this all began. For I had documented every victim in these pages, all but one: Frederick. The sharp, black lines of his name defaced only my sullen heart, my scarred womb.
I gently closed the register, for I had no use of it tonight, and returned my attention to the letter. What worried me so? The edge of the parchment continued to catch my eye, as though something crawled beneath it. And the longer I remained at my table, the more my belly ached and my fingers trembled. In the distance, beyond the walls of the shop, the bells on a carriage sounded frighteningly similar to the chains on a constable’s belt. But I assured myself that the bailiffs would not come tonight, just as they had not come for the last two decades. My shop, like my poisons, was too cleverly disguised. No man would find this place; it was buried deep behind a cupboard wall at the base of a twisted alleyway in the darkest depths of London.
I drew my eyes to the soot-stained wall that I had not the heart, nor the strength, to scrub clean. An empty bottle on a shelf caught my reflection. My eyes, once bright green like my mother’s, now held little life within them. My cheeks, too, once flushed with vitality, were sallow and sunken. I had the appearance of a ghost, much older than my forty-one years of age.
Tenderly, I began to rub the round bone in my left wrist, swollen with heat like a stone left in the fire and forgotten. The discomfort in my joints had crawled through my body for years; it had grown so severe, I lived not a waking hour without pain. Every poison I dispensed brought a new wave of it upon me; some evenings, my fingers were so distended and stiff, I felt sure the skin would split open and expose what lay underneath.
Killing and secret-keeping had done this to me. It had begun to rot me from the inside out, and something inside meant to tear me open.
At once, the air grew stagnant, and smoke began to curl into the low stone ceiling of my hidden room. The candle was nearly spent, and soon the laudanum drops would wrap me in their heavy warmth. Night had long ago fallen, and she would arrive in just a few hours: the woman whose name I would add to my register and whose mystery I would begin to unravel, no matter the unease it brewed inside of me.
Social Links
Author website: https://www.sarahpenner.com/Facebook: @SarahPennerAuthor
Instagram: @sarah_penner_author
Twitter: @sl_penner
Buy Links
Bookshop.orgIndieBound
Amazon
Barnes & Noble
Audible
Apple Books
Kobo
Google Play
Books-A-Million
Target
Libro.fm
Please share your thoughts and leave a comment. I would love to "talk" to you.
No comments:
Post a Comment