Author: Maisey Yates
Publication Information: HQN. 2021. 368 pages.
ISBN: 1335448993 / 978-1335448996
Book Source: I received this book through NetGalley and the HTP Women’s Fiction Summer 2021 tour free of cost in exchange for an honest review.
Opening Sentence: "The dress is perfect."
Favorite Quote: "There is a reasons we love the story of the phoenix who is reborn from the ashes. Because in life, there will always be moments where we catch fire, and have to rebuild from what remains. The trick isn't to avoid the flames, flames are inevitable. The trick is choosing to rise again."
***** BLOG TOUR *****
Review
The cover suggests a light summer beach read. The description of a mother and three daughters coming together after the death of a grandmother suggests a family story of sisterhood. The description also suggests secrets. It is in these secrets that the story lies.
"The world is unspeakably cruel to women. Men die in war. We die in our hometowns, crushed to death by expectations we could not meet." It is in these cruelties that the story of this book lies.
The plot of the book centers around three generations of women. Addie - a mother who could not be a mother to her own daughter but built a loving relationship with her granddaughters. Mary - A woman who grieved and resented her lack of relationship with her own mother and attempted to overcompensate in her relationship with her daughter. Avery, Hannah, and Lark - three daughters who went in different directions, suffered their own losses, and have now to some extent returned home to Bear Creek, Oregon.
The women are working on a quilt. The fabric they find carry their own stories, told through brief snippets from journals. Three women - Dot, Annabeth, and Ava. Three fabrics. Three histories.
As expected from the genre, there are romances involved. However, the focal point is the women, their reckoning with their past and present, and their reaching for their future. Eventually, all these stories come together to paint a picture of this family of women. More than that, they highlight and give voice to so many issues faced by women. Trigger warning! Some of the story lines deal with death, loss, rape, abuse, teenage pregnancy, domestic violence, and other situations in which women are the victims but often mistakenly take on the burden of guilt. "I realized that I am a victim ... But it hurt to hear that. Because to me a victim is someone who's weak. But that's not how it works. I'm not a victim because I'm weak, I'm a victim because a person I trusted very much took advantage of that trust. Abused it. Broke it. And recognizing that I'm a victim lifts an immense burden off of me. And it doesn't mean sitting here and feeling that forever, but it does mean finding a way to take and use it. To use that label, to use that feeling."
Realizing and acknowledging that shift is such an important conversation to have with women of all ages. This is not a young adult book, but this conversation is not just needed for girls growing up. So many women of all ages have lived with a lifetime of expectations and a lifetime of subversion of their feelings. This is an important conversation to have at any age.
The book builds on this conversation a story of why a woman may stay in a situation and why the burden of guilt may be taken on. Further, it builds a story of help and support as the women rebuild their relationships and build up each other. These messages may resonate, and fiction may provide a voice to fears and hopes. What starts as a light summer beach read leaves an impression of strength, resilience, and hope.
About the Author
New York Times Bestselling author Maisey Yates lives in rural Oregon with her three children and her husband, whose chiseled jaw and arresting features continue to make her swoon. She feels the epic trek she takes several times a day from her office to her coffee maker is a true example of her pioneer spirit.About the Book
The Ashwood women don’t have much in common...except their ability to keep secrets.When Lark Ashwood’s beloved grandmother dies, she and her sisters discover an unfinished quilt. Finishing it could be the reason Lark’s been looking for to stop running from the past, but is she ever going to be brave enough to share her biggest secret with the people she ought to be closest to?
Hannah can’t believe she’s back in Bear Creek, the tiny town she sacrificed everything to escape from. The plan? Help her sisters renovate her grandmother’s house and leave as fast as humanly possible. Until she comes face-to-face with a man from her past. But getting close to him again might mean confessing what really drove her away...
Stay-at-home mom Avery has built a perfect life, but at a cost. She’ll need all her family around her, and all her strength, to decide if the price of perfection is one she can afford to keep paying.
This summer, the Ashwood women must lean on each other like never before, if they are to stitch their family back together, one truth at a time...
Excerpt
Excerpted from Confessions From the Quilting Circle by Maisey Yates, Copyright © 2021 by Maisey Yates. Published by HQN Books.March 4th, 1944
The dress is perfect. Candlelight satin and antique lace. I can’t wait for you to see it. I can’t wait to walk down the aisle toward you. If only we could set a date. If only we had some idea of when the war will be over.
Love, Dot
Present day—Lark
Unfinished.
The word whispered through the room like a ghost. Over the faded, floral wallpaper, down to the scarred wooden floor. And to the precariously stacked boxes and bins of fabrics, yarn skeins, canvases and other artistic miscellany.
Lark Ashwood had to wonder if her grandmother had left them this way on purpose. Unfinished business here on earth, in the form of quilts, sweaters and paintings, to keep her spirit hanging around after she was gone.
It would be like her. Adeline Dowell did everything with just a little extra.
From her glossy red hair—which stayed that color till the day she died—to her matching cherry glasses and lipstick. She always had an armful of bangles, a beer in her hand and an ashtray full of cigarettes. She never smelled like smoke. She smelled like spearmint gum, Aqua Net and Avon perfume.
She had taught Lark that it was okay to be a little bit of extra.
A smile curved Lark’s lips as she looked around the attic space again. “Oh, Gram…this is really a mess.”
She had the sense that was intentional too. In death, as in life, her grandmother wouldn’t simply fade away.
Neat attics, well-ordered affairs and pre-death estate sales designed to decrease the clutter a family would have to go through later were for other women. Quieter women who didn’t want to be a bother.
Adeline Dowell lived to be a bother. To expand to fill a space, not shrinking down to accommodate anyone.
Lark might not consistently achieve the level of excess Gram had, but she considered it a goal.
“Lark? Are you up there?”
She heard her mom’s voice carrying up the staircase. “Yes!” She shouted back down. “I’m…trying to make sense of this.”
She heard footsteps behind her and saw her mom standing there, gray hair neat, arms folded in. “You don’t have to. We can get someone to come in and sort it out.”
“And what? Take it all to a thrift store?” Lark asked.
Her mom’s expression shifted slightly, just enough to convey about six emotions with no wasted effort. Emotional economy was Mary Ashwood’s forte. As contained and practical as Addie had been excessive. “Honey, I think most of this would be bound for the dump.”
“Mom, this is great stuff.”
“I don’t have room in my house for sentiment.”
“It’s not about sentiment. It’s usable stuff.”
“I’m not artsy, you know that. I don’t really…get all this.” The unspoken words in the air settled over Lark like a cloud.
Mary wasn’t artsy because her mother hadn’t been around to teach her to sew. To knit. To paint. To quilt.
Addie had taught her granddaughters. Not her own daughter.
She’d breezed on back into town in a candy apple Corvette when Lark’s oldest sister, Avery, was born, after spending Mary’s entire childhood off on some adventure or another, while Lark’s grandfather had done the raising of the kids.
Grandkids had settled her. And Mary had never withheld her children from Adeline. Whatever Mary thought about her mom was difficult to say. But then, Lark could never really read her mom’s emotions. When she’d been a kid, she hadn’t noticed that. Lark had gone around feeling whatever she did and assuming everyone was tracking right along with her because she’d been an innately self focused kid. Or maybe that was just kids.
Either way, back then badgering her mom into tea parties and talking her ear off without noticing Mary didn’t do much of her own talking had been easy.
It was only when she’d had big things to share with her mom that she’d realized…she couldn’t.
“It’s easy, Mom,” Lark said. “I’ll teach you. No one is asking you to make a living with art, art can be about enjoying the process.”
“I don’t enjoy doing things I’m bad at.”
“Well I don’t want Gram’s stuff going to a thrift store, okay?”
Another shift in Mary’s expression. A single crease on one side of her mouth conveying irritation, reluctance and exhaustion. But when she spoke she was measured. “If that’s what you want. This is as much yours as mine.”
It was a four-way split. The Dowell House and all its contents, and The Miner’s House, formerly her grandmother’s candy shop, to Mary Ashwood, and her three daughters. They’d discovered that at the will reading two months earlier.
It hadn’t caused any issues in the family. They just weren’t like that.
Lark’s uncle Bill had just shaken his head. “She feels guilty.”
And that had been the end of any discussion, before any had really started. They were all like their father that way. Quiet. Reserved. Opinionated and expert at conveying it without saying much.
Big loud shouting matches didn’t have a place in the Dowell family.
But Addie had been there for her boys. They were quite a bit older than Lark’s mother. She’d left when the oldest had been eighteen. The youngest boy sixteen.
Mary had been four.
Lark knew her mom felt more at home in the middle of a group of men than she did with women. She’d been raised in a house of men. With burned dinners and repressed emotions.
Lark had always felt like her mother had never really known what to make of the overwhelmingly female household she’d ended up with.
“It’s what I want. When is Hannah getting in tonight?”
Hannah, the middle child, had moved to Boston right after college, getting a position in the Boston Symphony Orchestra. She had the summer off of concerts and had decided to come to Bear Creek to finalize the plans for their inherited properties before going back home.
Once Hannah had found out when she could get time away from the symphony, Lark had set her own plans for moving into motion. She wanted to be here the whole time Hannah was here, since for Hannah, this wouldn’t be permanent.
But Lark wasn’t going back home. If her family agreed to her plan, she was staying here.
Which was not something she’d ever imagined she’d do.
Lark had gone to college across the country, in New York, at eighteen and had spent years living everywhere but here. Finding new versions of herself in new towns, new cities, whenever the urge took her.
Unfinished.
“Sometime around five-ish? She said she’d get a car out here from the airport. I reminded her that isn’t the easiest thing to do in this part of the world. She said something about it being in apps now. I didn’t laugh at her.”
Lark laughed, though. “She can rent a car.”
Lark hadn’t lived in Bear Creek since she was eighteen, but she hadn’t been under the impression there was a surplus of ride services around the small, rural community. If you were flying to get to Bear Creek, you had to fly into Medford, which was about eighteen miles from the smaller town. Even if you could find a car, she doubted the driver would want to haul anyone out of town.
But her sister wouldn’t be told anything. Hannah made her own way, something Lark could relate to. But while she imagined herself drifting along like a tumbleweed, she imagined Hannah slicing through the water like a shark. With intent, purpose, and no small amount of sharpness.
“Maybe I should arrange something.”
“Mom. She’s a professional symphony musician who’s been living on her own for fourteen years. I’m pretty sure she can cope.”
“Isn’t the point of coming home not having to cope for a while? Shouldn’t your mom handle things?” Mary was a doer. She had never been the one to sit and chat. She’d loved for Lark to come out to the garden with her and work alongside her in the flower beds, or bake together. “You’re not in New Mexico anymore. I can make you cookies without worrying they’ll get eaten by rats in the mail.”
Lark snorted. “I don’t think there are rats in the mail.”
“It doesn’t have to be real for me to worry about it.”
And there was something Lark had inherited directly from her mother. “That’s true.”
That and her love of chocolate chip cookies, which her mom made the very best. She could remember long afternoons at home with her mom when she’d been little, and her sisters had been in school. They’d made cookies and had iced tea, just the two of them.
Cooking had been a self-taught skill her mother had always been proud of. Her recipes were hers. And after growing up eating “chicken with blood” and beanie weenies cooked by her dad, she’d been pretty determined her kids would eat better than that.
Something Lark had been grateful for.
And Mom hadn’t minded if she’d turned the music up loud and danced in some “dress up clothes”—an oversized prom dress from the ’80s and a pair of high heels that were far too big, purchased from a thrift store. Which Hannah and Avery both declared “annoying” when they were home.
Her mom hadn’t understood her, Lark knew that. But Lark had felt close to her back then in spite of it.
The sound of the door opening and closing came from downstairs. “Homework is done, dinner is in the Crock-Pot. I think even David can manage that.”
The sound of her oldest sister Avery’s voice was clear, even from a distance. Lark owed that to Avery’s years of motherhood, coupled with the fact that she—by choice—fulfilled the role of parent liaison at her kids’ exclusive private school, and often wrangled children in large groups. Again, by choice.
Lark looked around the room one last time and walked over to the stack of crafts. There was an old journal on top of several boxes that look like they might be overflowing with fabric, along with some old Christmas tree ornaments, and a sewing kit. She grabbed hold of them all before walking to the stairs, turning the ornaments over and letting the silver stars catch the light that filtered in through the stained glass window.
Her mother was already ahead of her, halfway down the stairs by the time Lark got to the top of them. She hadn’t seen Avery yet since she’d arrived. She loved her older sister. She loved her niece and nephew. She liked her brother-in-law, who did his best not to be dismissive of the fact that she made a living drawing pictures. Okay, he kind of annoyed her. But still, he was fine. Just… A doctor. A surgeon, in fact, and bearing all of the arrogance that stereotypically implied.
One of the saddest things about living away for as long as she had was that she’d missed her niece’s and nephew’s childhoods. She saw them at least once a year, but it never felt like enough. And now they were teenagers, and a lot less cute.
And then there was Avery, who had always been somewhat untouchable. Four years older than Lark, Avery was a classic oldest child. A people pleasing perfectionist. She was organized and she was always neat and orderly. And even though the gap between thirty-four and thirty-eight was a lot narrower than twelve and sixteen, sometimes Lark still felt like the gawky adolescent to Avery’s sweet sixteen.
But maybe if they shared in a little bit of each other’s day-to-day it would close some of that gap she felt between them.
Social Links
Author WebsiteTwitter: @maiseyyates
Facebook:@MaiseyYates.Author
Instagram: @maiseyyates
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