Sunday, December 22, 2024

When The Waters Came

When the Waters Came by Candice Sue Patterson
Title:
  When the Waters Came
Author:  Candice Sue Patterson
Publication Information:  Barbour Fiction. 2024. 256 pages.
ISBN:  1636097588 / 978-1636097589

Rating:   ★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "Fog suspended from hemlock and spruce in a ghostly blanket that whispered along the peaks of decorated headstones, and the mourners gathered round."

Favorite Quote:  "I realized that the actions of man will frustrate me the rest of my life if I allow them to. I won't stop praying and doing my part to see a positive difference made, but I also won't let the outcome rule my life anymore."

When the Waters Came is the first in a series of six fictional accounts of American disasters - both natural and manmade that transformed the communities they impacted.

On Friday, May 31, 1889, the South Fork Dam on the Little Conemaugh River 14 miles upstream of Johnstown, Pennsylvania, failed after days of strong rainstorms. The ensuing flood destroyed Johnstown, killing over 2,200 people. The damage, in today's, dollars would total billions of dollars. The loss of lives is immeasurable.

The dam was part of the privately owned, secret membership South Fork Fishing and Hunting Club. The dam supported the club lake to provide sport and fishing for the club members. Most sources say that changes to the dam for club purposes likely led to the deterioration of the dam and its eventual failure. However, "what stuck with me the most and has never let go is that not one charge was ever brought against the South Fork Fishing and Hunting Club nor any of its members. Despite proof of negligence, no one was ever held accountable."

This book tells the story of this flood through two main fictional characters - Pastor Montgomery Childs of Johnstown and Annamae Worthington, a nurse who comes after the flood as part of the Red Cross relief efforts led by Clara Barton. My issue with the book is that the story becomes much more about these characters than the flood and the town. The history becomes a background and not the story itself.

Given that the main character is a pastor, the telling of the story takes a decided religious bent, which is unexpected. Pastor Monty, as he is called, suffers a crisis of faith given the horror and destruction he witnesses. In addition, he has a back story which relates to the history of the dam and is slowly revealed through the book. As the author's note explains, the book creates a fictional relationship to bring in a historical figures and bring this plot line to a conclusion.

Annamae also has a back story and her own reasons for coming to Johnstown beyond her work with the Red Cross. The Red Cross aspect would be interesting but for the characterization of some of the historical figures.

Finally, a story purported to be about a disaster and its community impact ends up a romance between these two characters. That is completely unexpected based on my expectations of the book and, for me, completely unnecessary.

As always, I am glad for the history this historical fiction taught me. I was just not the reader for the fictional part of the story.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Tuesday, December 17, 2024

The Last Heir to Blackwood Library

The Last Heir to Blackwood Library
Title:
  The Last Heir to Blackwood Library
Author:  Hester Fox
Publication Information:  Graydon House. 2023. 320 pages.
ISBN:  1525819569 / 978-1525819568

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "The bricked her up on Saint George's Day."

Favorite Quote:  "I've come to realized that my memories are precious, even the bad ones."

The listing for this book has the subtext "haunting historical fantasy romance". The Yorkshire moors are the atmospheric setting for this book. Blackwood Abbey is home to a magnificent library. For reasons unknown, Ivy Radcliffe finds herself its heir and owner. There are many who feel she should not be. There are some who reserve judgement. However, are any of them who they say?

The "haunting" comes from the stories people tell of the estate, its previous owners, and its history. The "historical" comes in through the background of the area as told through the evolution of this estate. The "fantasy" comes in through the manuscripts of the library and through the strange happenings therein. The fantasy element grows through the characteristics associated with the inheritors of the library. The "romance" comes in through those who call the estate home while Ivy is new to the manor and in need of friends.

I have read several books by Hester Fox. This one draws me in with "library" in its title and as a main feature of the book. "Ivy had always cherished books for the stillness they allowed in a world that values fast, unforgiving progress regardless of the human expense; there was a magical link between words on the page and the vivid images that simultaneously unfolded in her mind." The idea of the power and magic of books appeals to me. The idea of the knowledge of eras gone by brought forward through its writers appeals to me.

That being said, the practicality in me protests at the main character's approach to her inheritance. Ivy is at a crossroads in life and financially. She finds that she has inherited an estate. Although the estate is in disrepair, it is nevertheless an estate. The inheritance comes with stipulations. Yet, Ivy, upon her arrival at the estate seems caught up in trivialities. She appears to have no interest in and makes no attempt to investigate the extent of the estate, its financial status, its potential, or her ability to use this as a substantive way to change her life.

Why is the main character shown as not capable of such independent thought or action? The romances - both real and not - seem to take over the story. In that way, this book is much more the romance than historical fiction, fantasy, or even the story of a strong female character. 

Don't get me wrong, it's a fun story. However, the story of a strong woman dealing with an unexpected inheritance - material and psychic - can be just that without reliance on romance to see it through.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, December 16, 2024

Democracy Awakening

Democracy Awakening by Heather Cox Richardson
Title:
  Democracy Awakening: Notes on the State of America
Author:  Heather Cox Richardson
Publication Information:  Viking. 2023. 304 pages.
ISBN:  0593652967 / 978-0593652961

Rating:   ★★★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "America is at a crossroads."

Favorite Quote:  "Democracies die more often through the ballot box than at gunpoint."

In 2019, Heather Cox Richardson, a professor of history at Boston College started a daily newsletter titled  Letters from an American, "a newsletter about the history behind today's politics." The newsletter speaks on current events of the day/week through the lens of American history. Currently, the newsletter has over 1.4 million subscribers.

This book is a curated collection of both the news and the history that has led our nation to this point in history. Through history, the book presents a definitive political point of view. My guess is that if that does not agree to your world view, you are not likely to read to this book. If you do read it, you may not agree with much that is presented.

I read the Dr. Richardson's newsletters and this book as a student, looking to be educated. The newsletters and the book present a lot of information compacted into a small space. A lot! Both the newsletters and the book come with copious notes as to the research sources used. About 20% of this book in fact is the "Notes" or bibliography for those wishing to take an even deeper dive into the history.

That being said, this is not an academic tome. Rather it is for the public lay person interested in history and politics. The book looks and feels like and reads very much like the daily newsletters. It is likely a compendium of the information presented in the newsletter. Different method of presentation, perhaps reaching a different audience. The book is in fact dedicated "to the people who have joined me in exploring the complex relationship between history, humanity, and modern politics - this book is yours as much as it is mine."

The book is set up in three main sections:  Undermining Democracy, The Authoritarian Experiment, and Reclaiming America. Within each section are ten chapters presenting history and connecting the dots to the current day politics. This book is her explanation of how the nation got here not necessarily where the nation goes from here. That should be and hopefully will be decided at the ballot box.

Based on the references and notes presented in the newsletters and the book, I am reminded daily of how much of the history of our nation I do not know. At times, I wish I had the knowledge to analyze what I am reading to determine if I too would reach the same conclusion. To me, a healthy skepticism is necessary to any view on history and politics. That being said, I am grateful for the knowledge Dr. Richardson shares in this book and on a daily basis.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Friday, December 13, 2024

Terrace Story

Terrace Story
Title:
  Terrace Story
Author:  Hilary Leichter
Publication Information:  Ecco. 2023. 208 pages.
ISBN:  0063265818 / 978-0063265813

Rating:   ★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "The old window gave a grant view of Yellow Tree, trunk to branch.

Favorite Quote:  "Grief is not the door that tucks you in; it's the door that shuts you out."

The book description reads as follows. "Based on the National Magazine Award–winning story, Hilary Leichter’s profound second novel asks how we nurture love when death looms over every moment. From one of our most innovative and daring writers, Terrace Story is an astounding meditation on loss, a reverie about extinction, and a map for where to go next."

As a reader, I am not sure I understand what this book is about or how to capture the promise of this description.

The premise is as follows. An individual somehow has the ability to expand the physical space they are in. How or why? Controlled or uncontrolled? Privilege or curse? This is either never truly explained, or again, I just don't understand.

The book reads like interlinked short stories or novellas. If you keep the names straight, you see the characters connect from one to the other. Maybe.

The book description poses questions. "How far can the mind travel when it’s looking for something that is gone? Where do we put our loneliness, longing, and desire? What do we do with the emotions that seem to stretch beyond the body, beyond the boundaries of life and death?" Having read it, I am not sure the book provided the answer, or again, perhaps I just don't understand.

Based on the idea of being able to expand time and space, the book could be a science fiction story. However, it is not. The premise is never really explained, or maybe I just don't understand. Regardless, the exploration of the science is clearly not the focal point. I somewhat wish that it was for that thread might have tied the whole book together.

Based on the same idea, the book could be a fantasy for the worlds that life in that expansion. However, this book does not go in that direction either. The expanded space is just that - a terrace beyond an apartment, a ceiling that seems higher, etc. No fanciful worlds or adventures exist beyond. Perhaps, this thread may have tied the book together for me, but that was not the point.

I do persevere to the end of the book, hoping the ending will bring all the different threads together. Sadly, for me, it does not. At the end, I walk away frustrated and completely not understanding. It seems a book that tries too hard to make a philosophical point that unfortunately is lost on this reader.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, December 9, 2024

Under the Tamarind Tree

Under the Tamarind Tree
Title:
  Under the Tamarind Tree
Author:  Nigar Alam
Publication Information:  GP Putnam's Sons. 2023. 320 pages.
ISBN:  0593544072 / 978-0593544075
Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Rating:   ★★★★

Opening Sentence:  "Nine-year-old Rozeena stared ahead, squinting in the dark at the hordes of shouting people racing towards her family."

Favorite Quote:  "Like the powerful waves that must reach the shore and crash onto the beach, the past too must bubble up from within us, up and out through our lips. We must speak of it instead of allowing the pressure to build inside."

The author's note provides the historical context for this book. "Like Rozeena's family, both my parents' families crossed the border into Pakistan at the time of Partition. After celebrating independence, they joined the millions of people who migrated, who were displaced, who ran and became refugees. But historical facts and numbers, however horrific the scale, don't convey the true human impact, the life-altering consequences, and the trauma that ripples through generations. It's the personal stories that speak to us." In the five weeks prior to the departure of the British from the area, one individual was given the task of dividing the region into nations. Without knowledge of the areas and settlements, the Radcliffe Line came to be. This led to violence, devastation, and mass migrations as the families left India for Pakistan and vice versa.

Even with its dual timelines, this story is not of Partition itself, but the roots of it begin with that time and the refugees who came to Karachi and settled there as neighbors. The bonds and secrets of that time carry forward through the generations to impact the present. "Sometimes, many times, it is the unexpected, the tragic, that determines the direction of our lives."

This book is truly Rozeena's story. She is a nine-year-old at the time of partition. She is a young woman in the 1960s, as she struggles to define her responsibility to her family and her own role as a physician and an independent woman. "Shouldn't it matter which people are doing the talking? If it's people I don't care for, then why should I worry? I have to do what's right ... I can't only do what's expected. There got to be some balance, you know." In the present, she is retired, a mother, a mentor, and still the fiercely independent woman she has always been.

Surrounding Rozeena are family and friends. The childhood loss is of home, city, and especially the death of her brother due to the violence surrounding Partition. The story of the 1960s is of economic divides, friendship, responsibility, love, and a reckoning of all she believes of her life. The story of the present is a chance to reframe that past. Perhaps the chain of trauma and secrets can be set right for the next generations. "In her youth she hadn't known that excess could be a problem too. Just as a plant can drown in too much water, people can lose themselves in too much comfort, too much ease."

The story is narrated through "then" and "now." The history of Partition is brought out in the reliving of memories and the loss of her brother that has determined the direction of Rozeena's life. The "then" is the story of Rozeena and her friends as life altering decisions change the dreams of what might have been. The "now " is the reuniting of the friends that remain. "Some things happen because events align in  such a way to make them happen ... Sometimes there was a clear guilty party, but ... Sometimes, some things just happen. That's all. What you can control now is how you react to that awful, dreadful, tragic thing that happened."

I did guess most of the conclusion of this book. A couple of things about the events during Partition and the fate of one character seemed to come out of nowhere and seem unnecessary. The pace of the book is also slow and melodious but seems to pick up all of a sudden to the conclusion. Nevertheless, the characters of Rozeena and young Zara and the story unfolding keep me engaged. Given that this is a debut novel, I look forward to what Nigar Alam writes next. 


Please share your thoughts and leave a comment. I would love to "talk" to you.

Sunday, December 8, 2024

Apartment Women

Apartment Women by Gu Byeong-mo
Title:
  Apartment Women
Author:  Gu Byeong-mo (author). Chi-Young Kim (translator)
Publication Information:  Hanover Square Press. 2024. 224 pages.
ISBN:  1335050078 / 978-1335050076

Rating:   ★★★

Book Source:  I received this book through NetGalley and a publisher's blog tour free of cost in exchange for an honest review.

Opening Sentence:  "The backyard table was big enough to seat approximately sixteen adults, assuming you didn't mind brushing elbows with you neighbors each time you reached over to grab a napkin or a cup, big enough to squeeze in an additional half dozen kids if you packed in tight enough and didn't mind someone else breathing on you."

Favorite Quote:  "Trivial things weren't so trivial when they piled up, not a corn on the sole of a foot or dust heaped on a forgotten shelf."

***** BLOG TOUR *****


Review

Research documents that South Korea as a nation has the lowest fertility rate in the world. 2024 is the first year in over a decade that the fertility rate is expected to increase in South Korea. This means an aging and declining population over time. The South Korean government has attempted and is attempting different programs to stem this decline.

This book speaks to one possible program. "The Dream Future Pilot Communal Apartments was a small, twelve-unit building way out in the tranquil mountains ... it was brand-new and had been built with care by the government. it was clean and the decently sized units had a good floor plan, and most crucially, it was public rental house. But the conditions of residency were strict..."

"Among all those documents, the handwritten pledge was the icing on the cake - you were asked to promise to do your best to have at least three children, given that the purpose of these pilot communal apartments was to reverse the plummeting birth rate."

This translated story is the depiction of this fictional program, beginning when the fourth family moves into one of the units in this complex. Four couples. Four sets of parents. Four sets of children. Through each of the families, we see different possibilities - a stay at home father, a wife who is the primary wage earner but also expected to retain the traditional image of a subservient wife, a mother who tries to balance a young child and a work-at-home career, and more. Through the four families together, we see the differing visions of communal life ranging from the one who initially views this as merely living in the same building to the one who sees this as a commune with shared resources and shared responsibilities. The differing viewpoints give rise to the conflicts of this book.

The book is a quiet story, anchored in the day to day life of commutes, children, housekeeping, jobs, childcare, schooling, and all the sometimes mundane things that make up everyday life. Many of the daily tasks talked about are relatable. The conversations and monologues about work-life balance especially for women are universal.

The challenge of the book is to stay engaged in those details for the entirety of the book. Another challenge, perhaps of the original or the translation, is that the book shifts viewpoints with no warning. I see no chapter markings; it just jumps.

At the end, the book is an interesting look at the South Korean culture through this lens. Beyond that, I am  not sure of the lesson, idea, or understanding I am supposed to walk away with.

About the Book

From the New York Times Notable author of The Old Woman with the Knife, comes a bracingly original story of family, marriage, the cultural expectations of motherhood, about four women whose lives intersect in dramatic and unexpected ways at a government-run apartment complex outside Seoul

When Yojin moves with her husband and daughter into the Dream Future Pilot Communal Apartments, she’s ready for a fresh start. Located on the outskirts of Seoul, the experimental community is a government initiative designed to boost the national birth rate. Like her neighbors, Yojin has agreed to have at least two more children over the next ten years.

Yet, from the day she arrives, Yojin feels uneasy about the community spirit thrust upon her. Her concerns grow as communal child care begins and the other parents begin to show their true colors. Apartment Women traces the lives of four women in the apartments, all with different aspirations and beliefs. Will they find a way to live peacefully? Or are the cultural expectations around parenthood stacked against them from the start?

A trenchant social novel from an award-winning author, Apartment Women incisively illuminates the unspoken imbalance of women’s parenting labor, challenging the age-old assumption that “it takes a village” to raise a child.

About the Author

Gu Byeong-mo is an award-winning author. Born in Seoul, South Korea, she now resides in Jinju, South Korea with her family. The Old Woman with the Knife, her first book to be translated into English, was a New York Times Notable Book and an NPR Best Book of the Year.Chi-Young Kim is an award-winning literary translator and editor who has translated works by You-jeong Jeong, Sun-mi Hwang, Young-ha Kim, Kyung Ran Jo, J.M. Lee, and Kyung-sook Shin, among others.

Excerpt

Excerpted from APARTMENT WOMEN by Gu Byeong-mo. Copyright © 2018 by Gu Byeong-mo. English translation © 2024 by Chi-Young Kim. Published by Hanover Square Press, an imprint of HarperCollins.

The recycling truck kicked up pieces of cardboard and dust as it drove off. Soda cans and bottle caps that had fallen off the back tumbled along the ground. Danhui’s hands became sticky as she picked up the trash and put it in the sack.

After she cleaned up the recycling, she broomed the dust into a metal dustpan, dumped it into a trash bag, and headed up to the third floor. She could hear the baby’s cries from the bottom of the stairs.

“Hyonae-ssi, are you there? Hyonae-ssi? Sounds like Darim’s crying?”

She heard rustling as the crying settled, then the front door swung open. Exhausted, her eyes bloodshot, Jo Hyonae came outside holding Darim. She looked as desperate as a trembling drop of water clinging to the faucet. “Yes, what is it?” Hyonae’s voice was hoarse.

“Were you sleeping all this time? You don’t look like you got any rest!” “What’s going on so early in the morning?”

“Oh, Hyonae-ssi! You sent Sangnak-ssi down by himself the other day when we were all meeting the new family, and you haven’t shown your face since. It’s not early, everyone’s gone off to work and it’s already nine! I thought I told you the recycling truck comes at eight on Mondays.”

Hyonae shifted Darim to her other arm and scratched her tousled head. “I had to pull an allnighter again. I’m happy to take it on next time.”

This woman was the complete opposite of the new tenant Euno, who had come out to see if he could help when he heard the truck. Even though his family was still unpacking and settling in, Euno had come anyway and hovered about, asking if there was anything he could do, while Danhui and Gyowon waved him off, declining any assistance. What Danhui did want, although she refrained from asking, was for him to go pound on Hyonae’s door and wake her up. All this time Danhui had nodded and smiled sympathetically when Hyonae claimed to be too worn out from work to offer a hand; though she knew it wasn’t that big of a deal, Danhui had been waiting for a chance to have a serious talk with that self-centered Hyonae to make sure her neighbor knew she couldn’t walk all over her.

“Now you’re making me feel like I’m in the wrong here,” Danhui protested. “I’m not trying to imply that the work is hard. The workers collecting the recyclables are the ones doing the heavy lifting, and all we need to do is gather everything in one place so things don’t go flying around everywhere.”

“Right, that’s why I’m saying I can be the one to handle it next time.”

Danhui wanted to believe that Hyonae wasn’t purposely shirking her duties, but irresponsibility and laziness seemed something of a second nature to Hyonae. Even if Hyonae herself didn’t care, it was exhausting for the rest of them to have to deal with her.

“You know that’s not the issue. Doing communal work together is what makes it meaningful. Like I said before, if someone does it on their own this week and someone else handles it on their own the next week, it gets tricky and the system falls apart. Even if we made a schedule of whose turn it is to do what, there are always going to be times when we can’t follow it. That’s why everyone needs to come out and do this together. We can be flexible when someone has an unavoidable conflict. But if you can’t do the bare minimum, how will we be able to live together in harmony?”

This was when Darim, whose lips had been trembling during Danhui’s speech, burst into tears again, and Hyonae took that opportunity to cut her neighbor off. “Well, I need to nurse her right now.”

Danhui let out a sigh as she glanced over Hyonae’s slender shoulders into her apartment—the rumpled baby blankets, an open bag of sliced bread, toys strewn across the floor, clothes thrown every which way. “Sure. Text me later once Darim’s asleep. I’ll stop by for a second and we can finish talking.”

Danhui headed back downstairs, telling herself she shouldn’t be irritated by Hyonae, who, as always, had merely given a curt nod to put an end to their conversation.

It wasn’t a shock that Hyonae was exhausted—Danhui herself had experienced this fatigue when her two boys were younger, and she wouldn’t have been able to survive those years if the people around her hadn’t been unconditionally accommodating and considerate. You could try your best but not make it out of the apartment on time. Sometimes, no matter how hard you tried to wake up, it felt truly impossible to pry a single eye open, even with a wailing child beside you. Raising children was all about dragging yourself forward. Despite all your maternal love and inner strength, you’d still find yourself marooned from time to time, and you had no choice but to continue on until your last breath.

Those feelings were normal, but she couldn’t help but be annoyed. Whenever childcare obligations kept Danhui from upholding her side of the communal bargain (like the time she missed a general meeting at her boys’ day care center), she would apologize in a manner appropriate to the magnitude of her act. She would personally deliver a handwritten note—I’m sorry I missed the meeting, my son was sick again—with a fruit basket or a cake box. Then she would bow in apology at the next opportunity and work twice as hard whenever a small task came her way. Even if the others were put out before, they would end up doing her a favor when she needed something; they might push her turn back or let her go first.

Long before they moved here, back when Jeongmok was a baby, Jaegang had been away on a business trip and the recycling had piled up for three weeks in the utility room of their tiny twenty-four-pyeong apartment. Of course it did; since the baby’s arrival, they had started buying and using more and more personal hygiene products, and all of them had come packaged in plastic. Recycling days were once a week like at most apartment buildings in Seoul, and the residents were supposed to bring their recyclables out between six in the evening on Thursday and five thirty the following morning when the recycling truck arrived. But Jaegang had come home late after work the first week, then returned drunk off his feet from a work dinner the following week, and then had gone overseas for business the third week.

She had opened the door to the utility room to discover Styrofoam dishes and plastic recyclables piled around the large overflowing polypropylene tote bag in which they carried recycling downstairs; the plastic refuse blocked the path to the washing machine, barring her from entry. If someone were to see the utility room, they would assume she was a hoarder, the kind you saw on the news, or an alcoholic who neglected her child, and she was made miserable by this thought; it felt as though everything she had done earlier in her marriage to live a more environmentally friendly life, which of course had taken attention and effort, had gone down the drain.

Deciding to handle this problem herself instead of waiting for Jaegang to get home, she carefully slipped sleeping Jeongmok in his baby carrier. She should have done this from the get-go, but she had been trying not to expose Jeongmok to the freezing winter wind, which they’d confront on the seven-minute walk down the long corridor to the elevator and out the front doors to the trash and recycling area. Danhui went out with the bag filled with cardboard boxes and plastic. As she made the second trip with the baby on her back—after all, she only had two hands—other residents and the security guard spotted her and rushed over to help. She gratefully accepted their kindness, though she hadn’t brought Jeongmok to evoke sympathy, but rather because of all the tragedies she heard about on the news, stories of a child falling or suffocating to death during the brief moments their mom washed the dishes or ran to the supermarket just across the street. By her third trip, the security guard and the residents who had been breaking down her boxes and stacking them offered to come up to her apartment to help bring the rest down.

She had, of course, bowed in gratitude, and later, once she had her wits about her, she found out which units the kind neighbors lived in and brought gifts of tteok and fruit for them and the security guard. After that, her neighbors were naturally happy to help out. This was just one of the many ways a young mother could pay back the inevitable debt she racked up among her neighbors; you just had to show your gratitude.

But Hyonae didn’t bother doing any of that. It wasn’t that she was incapable; she just didn’t care. As an example, a salesperson hawking red ginseng or health supplements might offer a regular customer a bottle of vitamins for free, and, if that customer had any sense, they would kindly refuse after the first time, appreciating the thought behind the gesture. But Hyonae never even gave out copies of the picture books she illustrated. She claimed to be embarrassed because they weren’t published by a well-known company, and said they were sold as a box set and therefore hard for her to give out only the one she illustrated; still, if she handed out a few books to the neighbors, whose children were all around the same age, she could easily generate some goodwill by showing everyone what kind of work she did and help them understand why she couldn’t fully participate in their day-to-day schedule, but she didn’t put in any effort. Relationships were like joints that creaked without fluid between them, and Danhui’s biggest complaint was that the same people always felt the resulting pain and discomfort. She wasn’t annoyed by the fact that she wasn’t on the receiving end of niceties; she sincerely believed that these small acts were the bare minimum when you lived in an apartment building.

Even if you weren’t a people person, all you had to do was merely say the right things at the right time. Reflecting on her experience raising two kids, Danhui felt that a mother had to constantly say “sorry” and “thank you” even if she had done nothing wrong. All Hyonae had to do was add just one more sentence; just now, after saying, “I had to pull an allnighter again,” she could have easily added, I’m so sorry. Again, it wasn’t that Danhui wanted Hyonae to prostrate herself, it was just that these were the skills— or rather, the basic courtesy—of maintaining relationships. Intellectually she knew she should forgive Hyonae’s disorganized disposition and not judge her based on her line of work, but her lack of social skills was obvious, sitting as she did in her room, working on projects alone.

Two days ago, Sangnak had emphasized that Hyonae had fallen asleep after meeting a deadline, which was why she couldn’t come to the welcome party for the new family. He had even brought Darim to the backyard on his own to allow Hyonae to rest. But here she was, up all night again despite her husband’s support. Was she drawing all the pictures in the world, all by herself? Danhui had gone upstairs merely to tell her that they should try to work more effectively together, and Hyonae had cut her off, saying she’d just handle the recycling by herself the next time. Not only was it incredibly unclear when exactly this next time would be, but this disorganized approach would also render a turn-taking system useless and confusing. Maybe someone might think Hyonae was being ostracized over the trivial issue of recycling…

But it wasn’t trivial.

Trivial things weren’t so trivial when they piled up, not a corn on the sole of a foot or dust heaped on a forgotten shelf. Danhui just wanted Hyonae to understand this.

Buy Links

HarperCollins
Bookshop
Barnes & Noble
Amazon
Books-A-Million
Target

Social Links

Goodreads


Please share your thoughts and leave a comment. I would love to "talk" to you.

Saturday, December 7, 2024

The Greatest Lie of All

The Greatest Lie of All by Jillian Cantor
Title:
  The Greatest Lie of All
Author:  Jillian Cantor
Publication Information:  Park Row. 2024. 320 pages.
ISBN:  0778387313 / 978-0778387312

Rating:   ★★★

Book Source:  I received this book through NetGalley and a publisher's blog tour free of cost in exchange for an honest review.

Opening Sentence:  "Sometimes the end of everything sneaks up on you when you least expect it."

Favorite Quote:  "In real life maybe a happy ending isn't always being with a person you love, but instead, becoming the person you always wanted to be yourself."

***** BLOG TOUR *****


Review

"But he was the reason why she told the greatest lie of all." Who tells the lie? For whom? Turns out many tell lies in this book for many reasons. Some are small - a stage name for a real name. Some are monumental and life altering. Some are never told but believed and acted upon,  leading to life altering decisions. Some are lies of omission.

In making its story "real," the book speaks of the lie of fiction. "To be a fiction writer was to be a liar. But in small doses, in her imagination, in words on a page. Those lies didn't really exist when no one else read them but her."

This is a story of two timelines. Mare, George, Bess, and Max meet in college. Rather, Mare meets Max and introduces him to Bess. Bess introduces Mare to George. Years later, Mare is now a world famous romance writer Gloria Diamond. George died years ago when their son Will was a child. The story of the past is from college to the time of George's death.

Annie grew up with a single mother. Her parents separated when she was a child. Years later, Annie is now an actress Amelia Grant. Her mother has just died. Her father has another life with his second wife and children.

A movie is to be made of Gloria Diamond's life as depicted in one of her books -  a story of romance and true love or so they say. Amelia is to play Gloria. To enable her do that, Amelia comes to spend a few days with Gloria. The story of the present is the story of those days.

The chapters go back and forth between the two timelines and the perspectives of these two women. Layer by layer, the past is revealed and the connection between the past and the present comes to light.

Mare / Georgia is not a particularly likable character. The intensity of her relationships in the past is presented as a given. The story of the past does not really explain how it comes to be. As such, it is challenging to understand the decisions she makes. At the same time, it make the character and the story a sad one as one moment alters the trajectory of a life.

Nevertheless, the mystery of the connection between the past and present is an intriguing one to follow. I read through it quickly; the story kept the pages turning. However, my biggest challenge with the book is the connection revealed towards the end. I will attempt to explain without a spoiler. The joy of reading a mystery is getting to ending and being able to say that I did not see that coming but I should have. In this case, I may have seen that coming but I could not care as I could not invest in the character involved. So, I enjoyed the read but would have preferred a different ending more focused on who the rest of the story is about and how it's told.

About the Book

A young actress receives the role of a lifetime—playing a famous romance writer in a major biopic. But when she discovers a shocking secret about the author’s past, she realizes her own participation in the biopic is no coincidence. Perfect for fans of The Seven Husbands of Evelyn Hugo.

Fledgling actress Amelia Grant is at rock bottom when offered the opportunity of a lifetime: to play world-renowned romance author, Gloria Diamond, in a biopic. To prepare for the role, she'll spend a week with Gloria at her secluded Washington estate. It's a chance to get out of L.A., away from her cheating ex-boyfriend, and to make her recently deceased mother proud, who was Gloria's biggest fan.

Amelia's excitement is short-lived, however, once she arrives at the estate. Gloria is cold, verging on rude, and so different than her public persona – a widow-turned-romance writer who used her own whirlwind love story as inspiration for her books. But when Amelia stumbles upon a secret from Gloria's past, she realizes Gloria's life story is more fiction than fact, and Amelia’s own participation in the biopic is no coincidence.

Told in alternating points of view—Amelia in the present day and Gloria in the past—the novel examines what it means to be a woman and an artist, and what lengths a woman will ultimately go to protect herself and her passions.

About the Author

Jillian Cantor is the USA Today and internationally bestselling author of eleven novels for teens and adults, which have been chosen for LibraryReads, Indie Next, Amazon Best of the Month, and have been translated into 13 languages. She has a BA in English from Penn State University and an MFA from the University of Arizona. Born and raised in a suburb of Philadelphia, Cantor currently lives in Arizona with her husband and two sons.

Excerpt

Excerpted from THE GREATESE LIE OF ALL by Jillian Cantor, Copyright © 2024 by Jillian Cantor. Published by Park Row Books, an imprint of HarperCollins.

Prologue

Amelia

Sometimes the end of everything sneaks up on you when you least expect it.

I read that once, in a Gloria Diamond novel. Only she was referring to an asteroid. For me, the end came as a 32 DD red lace bra.

It happened on a rare rainy day in LA, two months after my thirty-third birthday. Two days after my mother had died.

She had collapsed quite suddenly in her garden, my mother. And forty-eight hours later, I found myself numb and standing in the open doorway of my walk-in closet in my underwear. I knew I needed something to wear to the funeral home to discuss arrangements, but I couldn’t figure out how to step inside the closet and choose what that should be. Young woman with newly dead mother. It was a role I didn’t yet understand and didn’t want. I stared at all my clothes blindly, as if I’d never seen any of them before.

“How about this?” Jase stepped around me, walked into the closet and pulled out a hanger with a simple black shift dress. Was it mine? I had no memory of buying it. The tags were still on.

“She hated black,” I reminded him. My mother had been in love with color, from the pink azaleas in her garden to the color-splattered abstract art she made in her studio to the bright orange plates she’d serve us brunch on each Sunday.

Jase raised his eyebrows, and I took the dress from him, ripped off the tags and quickly slipped into it. I glanced at myself in the floor-length mirror. The dress was shapeless, and I looked pale and powerless.

Jase walked up behind me and hugged me, whispering one more apology over not being able to accompany me this morning. His shooting schedule was intense. The director would get mad if he called out last minute.

“It’s fine,” I told him, again. Work was work. And he had fought so hard to get this far. It wasn’t like I could be mad he hadn’t planned ahead. No one could’ve expected my healthy fifty-eight-year-old mother to collapse in her azaleas when shooting schedules had been made. I’d just wrapped shooting on a supporting role in an indie film, so luckily my schedule this week was clear. My mother always had impeccable timing.

“Are you sure?” Jase released the words slowly, tickling my ear with his breath. When I nodded, he spun me around, planted a gentle kiss on my forehead. He took a step back, nodded approvingly as he glanced over the blah black dress, then flashed what I knew by then was his TV-doctor sexy grin. The smile was an apology, or a promise, or maybe by then it was more like a tic. Since he’d taken on the role of heart surgeon/ heartthrob on the überpopular Seattle Med last year, my boyfriend’s face had become familiar to every woman in America. But it had come to feel strangely unfamiliar to me.

“I’ll be okay,” I heard myself saying. And in spite of everything, I was still a good actress. I sold it.

“I know,” he said easily. Then he shouted after me as I walked out: “Call me if you need anything, though.”

“I won’t,” I yelled back.

But it turned out, I did need something.

Halfway to Pasadena on the 10, I realized I hadn’t grabbed my wallet, and I called Jase to see if he had time before the shoot to drop it off, or if he could at least text me a picture of my credit card so I had the number to pay. But Jase didn’t pick up, and if he’d already left for his shoot, he’d be no help.

I sighed and got off the next exit on the freeway to circle back. I knew I would be late for the appointment now; my mother had abhorred lateness and, more, she had never understood what she termed my spaciness—a lifetime of forgotten wallets and missing socks. But then it hit me, she would never know about this. A dead woman couldn’t get angry. And suddenly I had to pull off to the side of the on-ramp because I couldn’t see the road through my tears.

By the time I made it back to our apartment again, my face was puffy from crying, and I clutched a crumpled tissue in my hand as I unlocked the door. I was blowing my nose as I walked inside, so I almost didn’t notice that random red bra strewn across the floor until my foot caught on it in my path to the bedroom.

And even then, I disentangled it from my foot, picked it up and tossed it aside. I couldn’t process what it was, why it was there. I kept on walking like an idiot to my bedroom; all I knew in that moment was that my wallet was still sitting on my dresser. I opened my bedroom door and suddenly everything—and nothing—made sense. Jase was lying on our bed completely naked, a blonde woman with too-bronze skin, also completely naked, straddling on top of him.

“Jase?” I ran toward the bed and said his name like I was in some stupid movie of the week, and I was too naive to understand what was happening. What had been happening, right in front of me.

The naked woman turned at the sound of my voice and then I recognized her: Celeste Templeton, Jase’s gorgeous twenty-two-year-old Seattle Med costar.

I had this weird moment after she turned where I was nearly eye level with her breasts, and I found myself wondering if they were real. They couldn’t be. No one had authentic breasts that large and that perfectly symmetrical. Did they?

“Shit, Melly. It’s not what you think,” Jase said. But he didn’t move right away, and neither did she. Until she finally shifted off him to grab a blanket and I noticed her breasts barely moved. Definitely fake. I was trapped inside some awful cliché, and all I wanted to do was run. I had to get out.

“I forgot my wallet,” I finally heard myself saying, my voice coming from somewhere far away, above me, apart from me, the way it did when I auditioned for a role. I grabbed my wallet from the dresser and tore out of the room, then out of our apartment.

Just as I stepped outside, it started to rain. It had been raining on and off all week, and rain had been forecasted for today too. But I stood there, letting the water wash over me because, of course, I’d forgotten my umbrella too. And there was no way I was going back inside for it now.

Water flattened my curls and ran down my face, pelted my arms and soaked my ugly dress. My skin felt both numb and raw at once. But I stood there, in the rain, as the understanding hit me, that everything I was and everything I thought I knew, suddenly it was gone, just like that.

Buy Links

HarperCollins
Bookshop
Barnes & Noble
Amazon
Books-A-Million
Target

Social Links

Author Website
Instagram
Facebook
Twitter (X)
Goodreads


Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, November 20, 2024

The Little Village of Book Lovers

The Little Village of Book Lovers
Title:
  The Little Village of Book Lovers
Author:  Nina George
Publication Information:  Ballantine Books. 2023. 272 pages.
ISBN:  0593157885 / 978-0593157886

Rating:   ★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "'What do you do when you can't go on, Monsieur Perdu?' Jordan asked wearily."

Favorite Quote:  "It is you who make love visible in everything you think and say, everything you do or choose not to."

This book is in one word - silly. Love is a character. An olive tree is a character. A young woman, Marie-Jeanne, has the power to see and make connections between people. She can do so for everyone but herself. Her foster father dotes on her. Her foster mother is so afraid to show her love that every action reveals itself as anger or disdain.

However, somedays in a world full of anger and sadness, a silly, feel good story is just what is needed. When that story is also a love letter to books and libraries (even a small mobile one), it has its redeeming qualities:
  • "... books are precisely where magic, the great wide world, miracles, and good explanation may all converge? Are books not the last remaining place for otherwise inconceivable encounters between different people, different periods, different landscapes, and different emotions?"
  • "Books are the poetry of the impossible."
  • "Because freedom ... begins where you first overstep your boundaries."
  • "And nothing - I repeat, nothing - is a more discreet and incorruptible accomplice than literature."
  • "Books at least made you think things over ... Book thinking was, um, flightier. I turned ordinary thoughts into buzzards."
  • "Books are the last alchemy of our age. They make anything possible. Anything."
Set against the beautiful backdrop of southern France in a small village, this book has many characters and many repeating refrains. Sometimes, it is challenging to follow the different love stories in the making. Distinguishing between the human and the non-human characters adds another element of challenge. Eventually, I stop following the individual stories but rather follow the main theme of the book. So many people do not find love even when it might be nearby. Perhaps, "it" does not look like what they imagined. Perhaps, they don't feel lovable or deserving of "it." Perhaps, "it" is not what they have been taught they need and should want. 

The One by John Marrs takes a sci-fi look at the topic of identifying soulmates. The Matchmaker's Gift by Lynda Cohen Loigman makes it a natural gift in the hands of an individual who then turns it into a career. This book places that power in the hands of an individual because she is touched by "Love", an entity with an existence all its own. Other books have had other variations on this theme. Skimming through, this telling is a light-hearted, fluffy summer read.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, November 18, 2024

The Full Moon Coffee Shop

The Full Moon Coffee Shop by Mai Mochizuki
Title:
  The Full Moon Coffee Shop
Author:  Mai Mochizuki (Author), Jesse Kirkwood (Translator).
Publication Information:  Ballantine Books. 2024. 240 pages.
ISBN:  0593726820 / 978-0593726822

Rating:   ★★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "It was early April and my apartment windows were wide open."

Favorite Quote:  "Even now, I still wonder what could have been if I'd been more honest with myself. I was determined to teach those kids never to shy away from being themselves."

A maneki-neko or beckoning cat can often be found displayed in Japanese households and shops. It is said to bring good luck. The earliest folklore related to this tradition dates from the 1600s. This and subsequent folktales tell of good fortune coming from following, befriending, or doing good for a cat. The good fortune follows the good deed.

This book carries that idea much further. Cats are the feature of a magical coffee shop. Individuals in need of direction find themselves invited to the cafe. In the process, they find lessons for their own life and the direction they seek. However, the invitation is extended to only a few select people. Why?

In this way, the book reminds me of another translation, What You are Looking for is in the Library by Michiko Aoyama. The main character in that book is a librarian who seems to place exactly the right book at exactly the right time in the hands of exactly the right person. The tale appears at the beginning as almost a set of short stories about unrelated people. Slowly, connections emerge, linking the dots into a whole. The book becomes lesson on growth, transformation, and inspiration. Each individual who is pointed to a story is transformed. For some, it leads them to new paths and gives them the courage to pursue them.

This book proceeds in a similar fashion. The cafe appears only to certain people, at a different time, and in a different place. This cafe has no menu. Drinks and snacks are specifically chosen for the individual. The ambiance of cafe seems tailored to the individual also. Some trigger memories. Other trigger longings. Each leaves the recipient changed. The cafe purveyors - the cats - use their knowledge of the individual and their study of astrological charts to provide insight that change the life of each person.

What adds further interest as a reader is discovering what connects these middle aged individuals - a scriptwriter, a TV producer, an actress, a hairdresser and a tech and security engineer. What determines who gets an invitation to the cafe? The connection goes back to their childhood and a kindness done.

This book requires the suspension of disbelief - magical cafes, astral charts, cats who speak and do other things. However, for the kind lessons it teaches, I willingly go along. In a world with much negativity, it is wonderful to see a reminder of the vast impacts a seemingly small act of kindness can have.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Sunday, November 17, 2024

The Love Elixir of Augusta Stern

The Love Elixir of Augusta Stern by Lynda Cohen Loigman
Title:
  The Love Elixir of Augusta Stern
Publication Information:  St. Martin's Press. 2024. 320 pages.
ISBN:  1250278104 / 978-1250278104

Rating:   ★★★

Book Source:  I received this book through ????? free of cost in exchange for an honest review.

Opening Sentence:  "Augusta Stern did not want to retire."

Favorite Quote:  "Words can do anything... A kind word can fix a person't spirit. A cruel one can break a person's heart. Wicked words have caused wards, and hones words have me peace. Why should't they be able to heal."

This book is a geriatric love story. This book is also about first love. This book is also about women and the challenges they face to create change and be enabled to use their talents to the fully capacity.

Augusta Stern is turning eighty, newly retired, and moved from New York City to Florida. She grew up in Brooklyn. Her mother died when Augusta was young. She was raised by her father and her aunt who moved in to help on her mother's death. Her father was a trained pharmacist, wielding knowledge and credentials similar to what a doctor might. Her aunt was a healer, taught by the generations before and what she is able to learn herself. "If a person is denied is denied a formal education ... she must be inventive in her quest for knowledge. She must study the folktales and the stories. She must learn however she can. She must use every tool at her disposal."

As a teenager, Augusta is at the crossroads of her father's and her aunt's approach. Is that possible? Her father thinks not.  Her aunt lets Augusta find her own way with the understanding that "others accused me of being a witch, a Baba Yaga of the forest." (book where I first read about Baba Yaga)

The story of Augusta's childhood is also a story of Prohibition, the mafia, and of a first love. The fact that Augusta moves to Florida at age eighty, never having married tells us that the first love story did not end well. The fact that Augusta  has spent her life as a pharmacist with no mention of her aunt's knowledge tells us that something drove Augusta away from that craft. The fact that the book title mentions a "love elixir" may hint at a possible connection between the two facts of Augusta's life. Not surprisingly, the move brings Augusta face to face with that first love. So begins the book.

The story moves back and forth across the period of Augusta's life between her mother's death and a turning point in her young life and the short period of time after Augusta's relocation to Florida. The sixty years in between are left untold - a life lived. The story of the past is one of healing in different forms and of heartbreak. The story of the present is a sweet feel-good love story.

This book does not have the strength of The Matchmaker's Secret or The Two Family House, but a sweet story nevertheless.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Saturday, November 16, 2024

The Golden Doves

The Golden Doves
Title:
  The Golden Doves
Publication Information:  Ballantine Books. 2023. 528 pages.
ISBN:  0593354885 / 978-0593354889

Rating:   ★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "I wake at dawn, facedown on the sofa, thinking I'm back in Block Ten."

Favorite Quote:  "Just a pigeon... That's a dove... Same thing. You even think the best of pigeons.. She beautiful and strong and whatever we call her, she's free now."

Ravensbruk was a Nazi concentration camp for women. Estimates state that over 132,000 women were in the camp over the course of war. Forced labor, death chambers, and medical experiments on the women were the reality of this camp.

Many books have been written about World War II history, about the concentration camp, and about Ravensbruk. Martha Hall Kelly has written about the camp and the medical experimentation in Lilac Girls, which tell the story of the Ravensbruk "rabbits." That debut novel by Martha Hall Kelly was a compelling and emotional tale that will stay with me for a long time.

This book also picks up on the atrocities of Ravensbruk but come forward in time to the controversial United States Operation Paperclip, a secret United States program that ran from the end of World War II to the end of the 1950s. The goal was two-fold - to add to the knowledge that could be used for US defense development and to keep that knowledge from being incorporated into the (then) Soviet Union as the Cold War era emerged. The operation involved bringing about 1,600 German professionals to the United States with resettlement, housing, and jobs with the government. Several of those brought over were former Nazis.

This book is the story of two survivors of Ravensbruk, who have taken different paths since the war. Yet, the pull of the past brings them together in a united mission albeit with very different goals. The story begins in the United States, traverses Europe, and goes all the way to French Guiana. 

Josie Anderson is American. Arlette LaRue is French. I bring this up because this characterization is a key feature of these two women and their motivations and actions are attributed to this national background. Josie is an US intelligence officer tasked with acquiring an "asset" for Operation Paperclip. Arlette is living on the hope that her son - wrested away from her at Ravensbruk - may be found. 

Given the history, the book should be moving and emotional. Unfortunately, this book does not compel or draw in the way that Lilac Girls did. Given that it is the same author and the same historical context, the comparison is unescapable throughout the book.

The story travels through a lot of time and place. Unfortunately, the characters and the choices made in the "spy" portion of the story are at times hard to fathom and hard to empathize with. That breaks the emotional tie of this book, rendering it a much less engaging read than Lilac Girls.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, November 13, 2024

Commitment

Commitment
Title:
  Commitment
Author:  Mona Simpson
Publication Information:  Knopf. 2023. 416 pages.
ISBN:  0593319273 / 978-0593319277

Rating:   ★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "Walter arranged for a ride up to Berkeley with a girl he barely knew."

Favorite Quote:  "You may not have become what you wanted, but what you are gave me life."

The Merriam-Webster Dictionary states that the word commitment has many meanings:
  • an agreement or pledge to do something in the future
  • state or an instance of being obligated or emotionally impelled
  • an act of committing to a charge or trust: such as a consignment to a penal or mental institution.
The title of this book applies all these meanings. It is the story of a parent with mental health challenges who is committed. It is the friend who is compelled to care for the children left behind. It the children whose emotional ties keep them tethered to their childhood and the trauma of an ill parent and their obligations as adult children. It is the father who is not in picture with no commitment whatsoever to his wife or his children.

Walter. Lina. Donny. Oldest to youngest. Each takes their own path, navigating their mother's illness. Each hides some aspect of their reality and their mother's reality. "I don't know if you guys find this, but... i don't like having Mom around other people who didn't know her before... They ask questions." 

The scars of childhood leave lasting impact.
  • "Sometimes you outgrow even a cherished dream."
  • "For years, what felt like Lina's whole life, vigilance had structured her days, no news was good news, until the piercing call would come, signaling crisis."
  • "Forgiving her father would have been like forgiving the world for her mother's illness. It had made them who they were. her father's crime had taken decades to complete. "
For its premise, for the tragedy of a family navigating a serious illness, for children who leave childhood too early because of trauma, and for adults shouldering the responsibilities of caretaking, this book should have been an emotional, compelling story.

However, the slow pace of the book creates an emotional distance. The changing timelines create a distance from the characters and from watching them develop. As such, because the reader does not see them develop, it appears as if they do not develop. This presents a challenge for what is essentially a character driven book.

I want to like this book. I want to be moved but am not. I applaud the attempt at addressing the challenges of mental health and a family navigating life with a loved one with mental health concerns. I am glad for the attention to the issue. I just wish for more from the story as a reader.


Please share your thoughts and leave a comment. I would love to "talk" to you.