***** BLOG TOUR *****
Review
From Shanxi in 19th century China, this book brings the story of slavery, child labor, the limited options for women, the even more limited options for the poor, and foot binding. As a very young child, Little Flower is sold into slavery. She is to be muizai. The word itself means "little sister". However, the reality is far from that meaning. A muizai is taken into a rich household to be a personal assistant for a child of that family. The arrangement is to last their entire lives although some may be liberated by being allowed to marry at a certain age. In certain households, it was looked upon as a form of charity for the muizai would provided a better life than the one she comes from. However, that was not often the reality. As the book description states, "A muizai is a mistress’s shadow. You are there to do her bidding…"
Little Flower is brought into a household to be the muizai for Linjing. The book follows these two children as they grow up and into their adult lives. Through their eyes and through this household, we see the culture and customs of 19th century China and particularly of the role of women.
Little Flower is sold to provide a better life for her brother. She has bound feet, which was an expression of her mother's love as it may have offered her a chance at a better marriage and a better life. She has also been taught and is talented at embroidery, which is deemed an art of the rich. This too is in effort to lead her too a better life. In the Fong's household, she is at times cared for but has no freedom and no self-determination. Her hopes - her bound feet, the promise of a possible marriage, and her embroidery - are gradually taken away. "Yet experience had taught me that promises from the genteel class were not to be relied upon if my safety clashed with their self-interest." Yet, she perseveres through every turn. "To live as well as I could within the confines of slavery would be my best revenge."
Linjing is the daughter of the first wife. She is a favorite of her father's. However, she is a girl. Her mother sets expectations of perfection, and Linjing suffers in comparison to Little Flower. Unfortunately, that kind of love leads Linjing to retaliate against the one person in her control - Little Flower. "You ... are lowborn. I'm a lady. These facts are as solid as the ground we stand on." This leads to disastrous outcomes many times in their lives.
"But we lived in a hierarchy that favored men. Women, be it peasant or lady, first wife or mentor wives, were pitches against each other, fighting among themselves for scraps of power and security." Through the women surrounding these girls, the book brings in the role of women through so many different facets:
- Little Flower's mother makes the decision to sell her because she sees no other option.
- Linjing's mother is the first wife of the Fong household. However, her inability to produce a male heir and the decisions she makes in that quest determine the direction of her life.
- An aunt choose a celibate life to escape a marriage.
- A matriarch dispenses cruelty in every direction.
- A second wife who delivers a son finds her position elevated.
- A missionary attempts to help but demonstrates a lack of understanding of the culture and an inability understanding first and then attempt to change.
The book is tragic, and, at times, graphic in its descriptions of slavery and torture (reader beware!). Both the girls - Little Flower and Linjing - are compelling characters, and I find myself reading furiously to see how things turn out for them.
That being said, I am not sure how I feel about the ending. Given the entire book and the time and place, I am not sure that what happens in this book would actually have happened. It's hard to discuss without a spoiler! While the rest of the book is emotional and compelling, the ending seems abrupt and not entirely believable. It undermines the rest of the book, but nevertheless, a powerful debut novel. I look forward to seeing what Jane Yang writes next.
About the Book
A muizai is a mistress’s shadow. You are there to do her bidding…
19th Century China. Tightly bound feet, or "golden lilies," are the mark of an honorable woman. When Little Flower is sold as a maidservant to Linjing, a daughter of the prominent Fong family, she clings to the hope that her golden lilies will someday lead her out of a life of slavery.
Not only does Little Flower have bound feet—uncommon for a muizai—but she is gifted at embroidery, a skill associated with women of fortune. Resentful of her talents, Linjing does everything in her power to prevent Little Flower from escaping. But when scandal strikes the Fongs, both women are cast out to the Celibate Sisterhood, where Little Flower’s talents catch the eye of a nobleman, threatening not only her improved status, but her life—the Sisterhood punishes disobedience with death. And if Linjing finds out, will she sabotage Little Flower to reclaim her power, or will she protect her?
Richly atmospheric and profoundly moving, The Lotus Shoes is an empowering tale of two women from opposite sides of society, and their extraordinary journey of sisterhood, betrayal, love and triumph.
About the Author
Jane Yang was born in the Chinese enclave of Saigon and raised in Australia where she grew up on a diet of superstition and family stories from Old China. Despite establishing a scientific career, first as a pharmacist and later in clinical research, she is still sometimes torn between modern, rational thinking and the pull of old beliefs in tales that have been passed down the family. Jane’s family tales are an inspiration for her writing. She writes stories about women in pre-Communist China, exploring power and class struggles, and sometimes with a dash of suspense, spirits and hauntings.
Excerpt